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Alibis: Sigmar Polke 1963–2010
MoMA
Opening on
On View

MoMA
Midtown

Hours:
Saturday - Thursday 10:30 AM - 5:30 PM
Friday 10:30 AM - 8:00 PM


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Sigmar Polke. Raster Drawing (Portrait of Lee Harvey Oswald). 1963. Poster paint and pencil on paper. Private Collection. Photo: Wolfgang Morell, Bonn. © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn



Contemporary Galleries, second floor
The Donald B. and Catherine C. Marron Atrium, second floor
The Yoshiko and Akio Morita Media Gallery, second floor

In conjunction with the film exhibition Sigmar Polke: Films 1969–1995

The Museum of Modern Art presents the first comprehensive retrospective of Sigmar Polke (German, 1941–2010), encompassing Polke’s work across all mediums, including painting, photography, film, drawing, prints, and sculpture. Widely regarded as one of the most influential artists of the postwar generation, Polke possessed an irreverent wit that, coupled with his exceptional grasp of the properties of his materials, pushed him to experiment freely with the conventions of art and art history. Constantly searching, Polke studiously avoided any one signature style or medium; his method exemplified the definition of alibi, “in or at another place,” which also suggests a deflection of blame. This exhibition places Polke’s enormous skepticism of all social, political, and artistic traditions against German history and the country’s transformation in the postwar period. Four gallery spaces on MoMA’s second floor are dedicated to the exhibition, which comprises more than 250 works and constitutes one of the largest exhibitions ever organized at the Museum.

The exhibition is organized chronologically and across mediums, ranging from the intimacy of a notebook to pieces that test the architectural scale of most museum galleries. Among the many noted works on view are 13 films by Polke, including eight which have never before been available; a performance made for West German television that was last seen when it aired in 1972; and a group of monumental paintings made entirely of soot on glass that have never been exhibited in the United States.

The exhibition is organized by MoMA with Tate Modern, London. Organized by Kathy Halbreich, Associate Director, MoMA; with Mark Godfrey, Curator of International Art, Tate Modern; and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, MoMA.


OTHER VENUES AND DATES

Tate Modern, London, United Kingdom
October 1, 2014–February 8, 2015

Museum Ludwig, Cologne, Germany
March 14–July 5, 2015