As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA)

A.K. Burns and Katherine Hubbard, Josh Faught, Nikita Gale, Cassandra Guan, Jen Kennedy and Liz Linden, Josh Kline, Ignacio Lang, Simone Leigh, Suzanne McClelland, The Filmballad of Mamadada*, Shelly Silver, Jason Simon, and Michael Wang. Curated by Claire Barliant

On View

Elizabeth Foundation for the Arts (EFA) | Website

 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of artwork by Josh Kline (foreground) and Josh Faught (back wall) in As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of artwork by Josh Kline (foreground) and Josh Faught (back wall) in As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of artwork by A.K. Burns & Katherine Hubbard (foreground) and Nikita Gale (back wall) in As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of artwork by A.K. Burns & Katherine Hubbard (foreground) and Nikita Gale (back wall) in As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.
Installation view of As We Were Saying: Art and Identity in the Age of ‘Post’. Photo credit: Lauren Bierly, EFA Project Space.


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Directed by Cassandra Guan and Lily Benson, The Filmballad of Mamadada, 2014, 80 minute HD video film stills. Image courtesy of Cassandra Guan
Directed by Cassandra Guan and Lily Benson, The Filmballad of Mamadada, 2014, 80 minute HD video film stills. Image courtesy of Cassandra Guan


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Cassandra Guan, Women’s Times, 2014, cyanotype print detail. Photo credit: Cassandra Guan, source image from The Lesbian Herstory Archives
Cassandra Guan, Women’s Times, 2014, cyanotype print detail. Photo credit: Cassandra Guan, source image from The Lesbian Herstory Archives


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Jen Kennedy and Liz Linden, The New York Times Feminist Reading Group, 2009-present, performance with newspapers, participants. Photo credit: Kearra Gopee
Jen Kennedy and Liz Linden, The New York Times Feminist Reading Group, 2009-present, performance with newspapers, participants. Photo credit: Kearra Gopee


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Josh Kline, Cost of Living (Aleyda), 2014, 3D-printed sculptures in plaster, ink-jet ink and cyanoacrylate; janitor card, LED lights, Dimensions variable. Courtesy of the artist and 47 Canal, New York
Josh Kline, Cost of Living (Aleyda), 2014, 3D-printed sculptures in plaster, ink-jet ink and cyanoacrylate; janitor card, LED lights, Dimensions variable. Courtesy of the artist and 47 Canal, New York


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Ignacio Lang, 1968 (Enero, Febrero, Marzo, Abril, Mayo, Junio, Julio, Agosto, Septiembre, Octubre, Noviembre, Diciembre), 2014, series of 12 C-prints (Vietnam 1968) with Playboy, Life, Holiday, Ideals, Car and Driver, and National Geographic magazines, dimensions variable. Photo credit: EFA Project Space
Ignacio Lang, 1968 (Enero, Febrero, Marzo, Abril, Mayo, Junio, Julio, Agosto, Septiembre, Octubre, Noviembre, Diciembre), 2014, series of 12 C-prints (Vietnam 1968) with Playboy, Life, Holiday, Ideals, Car and Driver, and National Geographic magazines, dimensions variable. Photo credit: EFA Project Space


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Shelly Silver, In Complete World, 2008, film still. Image courtesy of Shelly Silver
Shelly Silver, In Complete World, 2008, film still. Image courtesy of Shelly Silver


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York
Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York
Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York
Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York


 in Pictures for As We Were Saying: Art and Identity in the Age of “Post” at Elizabeth Foundation for the Arts (EFA). Image for Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York
Michael Wang, Captives (Rock Pigeons), 2014, Feral pigeons, fancy pigeons, steel enclosures, Dimensions variable. Courtesy of the artist and Foxy Production, New York