'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem

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 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich
Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich
Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich
Charles Gaines: Gridwork 1974–1989, July 27 to October 26, 2014, The Studio Museum in Harlem. Photo: Adam Reich


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #1, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #1, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #2, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #2, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #3, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #3, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #4, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #4, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #5, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #5, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #6, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed), Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #6, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed), Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Regression: Drawing #7, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Regression: Drawing #7, Group #2, 1973–74, Mechanical ink and pen on paper, 23 × 29 in., 243⁄4 × 303⁄4 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Calculation of a Numerical Equation, Drawing D-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines
Charles Gaines, Calculation of a Numerical Equation, Drawing D-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Calculation of a Numerical Equation, Drawing F-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines
Charles Gaines, Calculation of a Numerical Equation, Drawing F-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Calculation of a Numerical Equation Drawing, Drawing H-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines
Charles Gaines, Calculation of a Numerical Equation Drawing, Drawing H-2 Regress, 1975, Graphite on paper, 30 × 40 in., 33 3⁄8 × 431⁄4 in. (framed). Collection of William Raines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 1 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 1 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 1 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 2 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 2 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 2 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 3 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 3 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 3 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 4 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 4 (version 2), 1975– 2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Walnut Tree Orchard, Set 4 (version 2) (detail), 1975–2014, Photograph, ink on paper, Triptych: 29 × 23 in. each; 311⁄2 × 251⁄2 × 11⁄2 in. (framed). Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Color Regression #1, 1978, Lithograph on BFK Rives; signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier
Charles Gaines, Color Regression #1, 1978, Lithograph on BFK Rives; signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Color Regression #2, 1978, Lithograph on BFK Rives; signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier
Charles Gaines, Color Regression #2, 1978, Lithograph on BFK Rives; signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Color Regression #3, 1978, Lithograph on BFK Rives, signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier
Charles Gaines, Color Regression #3, 1978, Lithograph on BFK Rives, signed, dated and titled in pencil, 1980, 27 9/10 × 311⁄2 in. Collection of Rodney Harder. Photo: Marc Bernier


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Falling Leaves #10, 1978, Color photograph, ink on paper, Triptych: 20 × 16 in. each; 25 × 57 × 2 in. (framed). Collection of Daisy Addicott. Photo: Randy Vaughn-Dotta
Charles Gaines, Falling Leaves #10, 1978, Color photograph, ink on paper, Triptych: 20 × 16 in. each; 25 × 57 × 2 in. (framed). Collection of Daisy Addicott. Photo: Randy Vaughn-Dotta


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Falling Leaves #5, 1978, Color photograph, ink on paper Triptych: 20 × 16 in. each; 25 × 57 × 2 in. (framed). Bank of America Art Collection
Charles Gaines, Falling Leaves #5, 1978, Color photograph, ink on paper Triptych: 20 × 16 in. each; 25 × 57 × 2 in. (framed). Bank of America Art Collection


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #4: Stephan W. Walls, 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Marc Lee. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Faces, Set #4: Stephan W. Walls, 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Marc Lee. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines
Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines
Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines
Charles Gaines, Faces, Set #10: Terry Allen (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Collection of Barbara Gaines


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #11: Mary Ann Aloojian, 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Faces, Set #11: Mary Ann Aloojian, 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Faces, Set #11: Mary Ann Aloojian (detail), 1978, Photograph, ink on paper, Triptych: 23 × 19 in. each (framed); 23 × 57 in. (overall framed). Museum of Modern Art, New York; gift of Dian Woodner in honor of Dr. Stuart W. Lewis and The Friends of Education of The Museum of Modern Art 835.2011 a–c. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 3, “B” Blue Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 3, “B” Blue Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 7, “F” Blue Letters, 1978–79, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 7, “F” Blue Letters, 1978–79, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 9, “H” Green Letters, 1978– 79, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 9, “H” Green Letters, 1978– 79, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 12, “K” Green Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 12, “K” Green Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 13, “L” Brown Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 13, “L” Brown Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 15, “N” Blue Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 15, “N” Blue Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 16, “O” Green Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 16, “O” Green Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Incomplete Text Set 23, “U” Red Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Incomplete Text Set 23, “U” Red Letters, 1979, Mixed media on paper, Triptych: 22 × 17 in. each; 261⁄2 x 57 x 11⁄2 in. (overall framed). The Museum of Contemporary Art, Los Angeles; purchased with funds provided by the Drawings Committee and a gift of Susanne Vielmetter Los Angeles Projects. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Shadows II, Set 1, 1980, Photographs, ink on paper, Four parts: 20 × 16 in. each; 241⁄2 × 72 in. (overall framed). Private collection. Courtesy Kent Fine Art, New York
Charles Gaines, Shadows II, Set 1, 1980, Photographs, ink on paper, Four parts: 20 × 16 in. each; 241⁄2 × 72 in. (overall framed). Private collection. Courtesy Kent Fine Art, New York


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Shadows II, Set 1 (detail), 1980, Photographs, ink on paper, Four parts: 20 × 16 in. each; 241⁄2 × 72 in. (overall framed). Private collection. Courtesy Kent Fine Art, New York
Charles Gaines, Shadows II, Set 1 (detail), 1980, Photographs, ink on paper, Four parts: 20 × 16 in. each; 241⁄2 × 72 in. (overall framed). Private collection. Courtesy Kent Fine Art, New York


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #1 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #5, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of James Keith Brown and Eric Diefenbach. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11, 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Motion: Trisha Brown Dance, Set #11 (detail), 1980–81, Color photographs and ink on Strathmore paper Eight parts: 4 small drawings, 11 × 191⁄2 in. each; 2 large drawings and 2 photographs, 16 × 20 in. each; 31 1⁄8 × 841⁄2 × 2 in. (overall framed). Collection of Dean Valentine and Amy Adelson. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees, Matilda, #4, 1986, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 59 × 49 × 5 3⁄4 in. Courtesy of Fresno Art Museum, Fresno, California
Charles Gaines, Numbers and Trees, Matilda, #4, 1986, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 59 × 49 × 5 3⁄4 in. Courtesy of Fresno Art Museum, Fresno, California


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees, Xeno, #6, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of David Hoberman. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees, Xeno, #6, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of David Hoberman. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees I, Spike, #1, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of Christina Arguedas and Carole Migden. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees I, Spike, #1, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of Christina Arguedas and Carole Migden. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees I, Gertrude, #2, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of Leslie Frame. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees I, Gertrude, #2, 1986, Acrylic paint on acrylic sheet and Masonite, 59 × 481⁄2 × 53⁄4 in. Collection of Leslie Frame. Courtesy Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Matilda #1, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert
Charles Gaines, Numbers and Trees II, Matilda #1, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Judd #2, 1987, Watercolor, ink and pencil, on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert
Charles Gaines, Numbers and Trees II, Judd #2, 1987, Watercolor, ink and pencil, on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Xeno #3, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert
Charles Gaines, Numbers and Trees II, Xeno #3, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 47 5⁄8 × 39 5⁄8 × 5 1⁄8 in. Courtesy the artist and Paula Cooper Gallery, New York. Photo: Steve Probert


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Spike #4, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees II, Spike #4, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Gertrude #5, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees II, Gertrude #5, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees II, Hafir #6, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees II, Hafir #6, 1987, Watercolor, ink and pencil on Masonite and acrylic sheet, 48 × 391⁄2 in. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees III, Box #1, 1987, Acrylic paint on acrylic sheet and Masonite, 50 1⁄4 × 42 1⁄4 in. Collection of Dan and Jeanne Fauci. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees III, Box #1, 1987, Acrylic paint on acrylic sheet and Masonite, 50 1⁄4 × 42 1⁄4 in. Collection of Dan and Jeanne Fauci. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Number and Trees III, Shag, #8, 1987, Acrylic paint on acrylic sheet and Masonite, 50 1⁄4 × 42 in. Collection of Paul and Linda Gotskind. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Number and Trees III, Shag, #8, 1987, Acrylic paint on acrylic sheet and Masonite, 50 1⁄4 × 42 in. Collection of Paul and Linda Gotskind. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees III, Shucks #11, 1987, Acrylic sheet, acrylic paint, pencil on paper 501⁄2 × 42 × 6 in. Collection of Jay and Diana Moss. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees III, Shucks #11, 1987, Acrylic sheet, acrylic paint, pencil on paper 501⁄2 × 42 × 6 in. Collection of Jay and Diana Moss. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees IV, Landscape #4, 1989, Acrylic sheet, acrylic, paint, watercolor, silkscreen, photograph, 461⁄8 × 371⁄8 in. Courtesy the Hammer Museum, Los Angeles. Purchase.
Charles Gaines, Numbers and Trees IV, Landscape #4, 1989, Acrylic sheet, acrylic, paint, watercolor, silkscreen, photograph, 461⁄8 × 371⁄8 in. Courtesy the Hammer Museum, Los Angeles. Purchase.


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees V, Landscape #1, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Peter Gelles and Eve Steele Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees V, Landscape #1, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Peter Gelles and Eve Steele Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees V, Landscape #5, 1989, Acrylic sheet, acrylic, paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Beth Rudin DeWoody. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees V, Landscape #5, 1989, Acrylic sheet, acrylic, paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Beth Rudin DeWoody. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees V, Landscape #6, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Marc Selwyn. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees V, Landscape #6, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Marc Selwyn. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees V, Landscape #8: Orange Crow, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Bruce Bower. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees V, Landscape #8: Orange Crow, 1989, Acrylic sheet, acrylic paint, watercolor, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Bruce Bower. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees VI, Landscape #1, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Sheri and Arnold Schlesinger. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees VI, Landscape #1, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Sheri and Arnold Schlesinger. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees VI, Landscape #3, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Michael and Joyce Ostin. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees VI, Landscape #3, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 46 5⁄8 × 38 5⁄8 in. Collection of Michael and Joyce Ostin. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer


 in Pictures for 'Charles Gaines: Gridwork 1974–1989' at The Studio Museum in Harlem. Image for Charles Gaines, Numbers and Trees VI, Landscape #5, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 465⁄8×385⁄8in. Collection of Gail and Irving Weintraub. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer
Charles Gaines, Numbers and Trees VI, Landscape #5, 1989, Acrylic sheet, acrylic paint, watercolor, silkscreen, photograph, 465⁄8×385⁄8in. Collection of Gail and Irving Weintraub. Courtesy the artist and Susanne Vielmetter Los Angeles Projects. Photo: Robert Wedemeyer