'FLEX' at Kent Fine Art

Math Bass, Dan Finsel, Gordon Hall, Molly Lowe, Richard Artschwager, James Lee Byars, Guy de Cointet, Marcel Duchamp, Robert Morris, and Myron Stout. Curated by Orlando Tirado

On View

Kent Fine Art | Website

 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: Richard Artschwager, Walker, 1964, Formica and wood, 26 x 38 x 35 in. (66 x 96.5 x 88.9 cm) / Background: Robert Morris, Untitled (white felt), 1976, Felt and steel brackets, 96 x 72 in. (243.84 x 182.88 cm). Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: Richard Artschwager, Walker, 1964, Formica and wood, 26 x 38 x 35 in. (66 x 96.5 x 88.9 cm) / Background: Robert Morris, Untitled (white felt), 1976, Felt and steel brackets, 96 x 72 in. (243.84 x 182.88 cm). Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Gordon Hall, STAND AND, 2014, Wood, dyed fabric, cement, tile and off-site performance, 66 x 36 x 24 in. stacked, 167.6 x 91.4 x 61 cm. stacked. Courtesy of Kent Fine Art, New York.
Gordon Hall, STAND AND, 2014, Wood, dyed fabric, cement, tile and off-site performance, 66 x 36 x 24 in. stacked, 167.6 x 91.4 x 61 cm. stacked. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: Dan Finsel, E-thay Amily-fay Ulpture-scay: Ere-hay/Ow-nay (Oys-bay), 2014, Maple, oil paint, and oil clay, 60 x 36.5 x 36.5 in. (152.4 x 92.7 x 92.7 cm) / Midground: Math Bass, Newz! And Its Shadow, 2014, Waxed steel and oil on canvas, 34.5 x 20.75 x 12 in. (87.6 x 52.7 x 30.5 cm) / Background: Robert Morris, Untitled (white felt), 1976, Felt and steel brackets, 96 x 72 in. (243.84 x 182.88 cm). Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: Dan Finsel, E-thay Amily-fay Ulpture-scay: Ere-hay/Ow-nay (Oys-bay), 2014, Maple, oil paint, and oil clay, 60 x 36.5 x 36.5 in. (152.4 x 92.7 x 92.7 cm) / Midground: Math Bass, Newz! And Its Shadow, 2014, Waxed steel and oil on canvas, 34.5 x 20.75 x 12 in. (87.6 x 52.7 x 30.5 cm) / Background: Robert Morris, Untitled (white felt), 1976, Felt and steel brackets, 96 x 72 in. (243.84 x 182.88 cm). Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Detail: Dan Finsel, E-thay Amily-fay Ulpture-scay: Ere-hay/Ow-nay (Oys-bay), 2014, Maple, oil paint, and oil clay, 60 x 36.5 x 36.5 in. (152.4 x 92.7 x 92.7 cm). Courtesy of Kent Fine Art, New York.
Detail: Dan Finsel, E-thay Amily-fay Ulpture-scay: Ere-hay/Ow-nay (Oys-bay), 2014, Maple, oil paint, and oil clay, 60 x 36.5 x 36.5 in. (152.4 x 92.7 x 92.7 cm). Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Video Still: Math Bass, Pass the line, 2012, Video, 5 minutes 2 seconds, Edition of 3. Courtesy of Kent Fine Art, New York.
Video Still: Math Bass, Pass the line, 2012, Video, 5 minutes 2 seconds, Edition of 3. Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Molly Lowe, Schelp and Shape, 2014, Cloth, latex, wax, plaster, cotton, and paint Each (x3): 42 x 42 x 24 in. (Each (x3): 106.6 x 106.6 x 60.9 cm). Courtesy of Kent Fine Art, New York.
Molly Lowe, Schelp and Shape, 2014, Cloth, latex, wax, plaster, cotton, and paint Each (x3): 42 x 42 x 24 in. (Each (x3): 106.6 x 106.6 x 60.9 cm). Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Detail: Molly Lowe, Schelp and Shape, 2014, Cloth, latex, wax, plaster, cotton, and paint, Each (x3): 42 x 42 x 24 in. (Each (x3): 106.6 x 106.6 x 60.9 cm). Courtesy of Kent Fine Art, New York.
Detail: Molly Lowe, Schelp and Shape, 2014, Cloth, latex, wax, plaster, cotton, and paint, Each (x3): 42 x 42 x 24 in. (Each (x3): 106.6 x 106.6 x 60.9 cm). Courtesy of Kent Fine Art, New York.


 in Pictures for 'FLEX' at Kent Fine Art. Image for Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: James Lee Byars, The Philosophical Nail, 1986, Gilded iron, 10.75 x 1.25 x 1.25 in. (27 x 3 x 3 cm) / Background: James Lee Byars, The Cube Book, 1989, Marble, 9.75 x 9.75 x 9.75 in. (25 x 25 x 25 cm). Courtesy of Kent Fine Art, New York.
Installation view of 'FLEX' at Kent Fine Art, 2014. Foreground: James Lee Byars, The Philosophical Nail, 1986, Gilded iron, 10.75 x 1.25 x 1.25 in. (27 x 3 x 3 cm) / Background: James Lee Byars, The Cube Book, 1989, Marble, 9.75 x 9.75 x 9.75 in. (25 x 25 x 25 cm). Courtesy of Kent Fine Art, New York.