Jennifer Bartlett at Parrish Art Museum

'Jennifer Bartlett: History of the Universe, Works 1970–2011'

On View

Parrish Art Museum | Website

 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of Jennifer Bartlett, Atlantic Ocean, 1984; Amagansett Diptych #1, 2007–08; Boats, 1987. Photo: Gary Mamay.
Installation View of Jennifer Bartlett, Atlantic Ocean, 1984; Amagansett Diptych #1, 2007–08; Boats, 1987. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of Jennifer Bartlett, Amagansett Diptych #1, 2007–08; Boats, 1987; Pool, 1983. Photo: Gary Mamay.
Installation View of Jennifer Bartlett, Amagansett Diptych #1, 2007–08; Boats, 1987; Pool, 1983. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of Jennifer Bartlett, Double House, 1987; Twins 2005–06. Photo: Gary Mamay.
Installation View of Jennifer Bartlett, Double House, 1987; Twins 2005–06. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Jennifer Bartlett, Double House, 1987, Oil on canvas; enamel on wood, steel, Painting: 118 x 168, House: 68 ½ x 38 x 50. Collection of the Artist. Photo: Gary Mamay.
Jennifer Bartlett, Double House, 1987, Oil on canvas; enamel on wood, steel, Painting: 118 x 168, House: 68 ½ x 38 x 50. Collection of the Artist. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Jennifer Bartlett, Boats, 1987, Oil on canvas; enamel on wood, steel, Painting: 118 x 168, Boats: 66 ½ x 47 ½ x 46 each. Collection of the Artist. Photo: Gary Mamay.
Jennifer Bartlett, Boats, 1987, Oil on canvas; enamel on wood, steel, Painting: 118 x 168, Boats: 66 ½ x 47 ½ x 46 each. Collection of the Artist. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Jennifer Bartlett, Atlantic Ocean, 1984, Enamel over silkscreen grid on baked enamel steel plates, 103 x 383. Courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.
Jennifer Bartlett, Atlantic Ocean, 1984, Enamel over silkscreen grid on baked enamel steel plates, 103 x 383. Courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of House: Lines: White, 1998, Enamel over silkscreen grid on baked enamel steel plates, 64 x 64 overall. Collection of Ron Shamask, New York. Photo: Gary Mamay.
Installation View of House: Lines: White, 1998, Enamel over silkscreen grid on baked enamel steel plates, 64 x 64 overall. Collection of Ron Shamask, New York. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of Purple Corridor, 2004–05, Enamel over silkscreen grid on baked enamel steel plates 81 x 122 overall. Courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.
Installation View of Purple Corridor, 2004–05, Enamel over silkscreen grid on baked enamel steel plates 81 x 122 overall. Courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View of (L-R) Eleven P.M., 1991-92, Oil on canvas, 84 x 84, Currier Museum of Art, Manchester, New Hampshire. Museum Purchase; Eleven A.M., 1991–92, Oil on canvas, 84 x 84, Smithsonian American Art Museum, Washington, D.C. Gift of Mr. and Mrs. Barney A. Ebsworth,  Five A.M., 1991–92, Oil on canvas, 84 x 84 Metropolitan Museum of Art, New York. Joseph H. Hazen Foundation Purchase Fund, in honor of Cynthia Hazen Polsky. Photo: Gary Mamay.
Installation View of (L-R) Eleven P.M., 1991-92, Oil on canvas, 84 x 84, Currier Museum of Art, Manchester, New Hampshire. Museum Purchase; Eleven A.M., 1991–92, Oil on canvas, 84 x 84, Smithsonian American Art Museum, Washington, D.C. Gift of Mr. and Mrs. Barney A. Ebsworth, Five A.M., 1991–92, Oil on canvas, 84 x 84 Metropolitan Museum of Art, New York. Joseph H. Hazen Foundation Purchase Fund, in honor of Cynthia Hazen Polsky. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation view of (L-R) 237 Lafayette Street, 1978, Enamel over silkscreen grid on baked enamel steel plates, 20 x 150 overall, Virgina Museum of Fine Arts, Richmond. Gift of Sydney and Frances Lewis; Eleven P.M., 1991-92, Oil on canvas, 84 x 84, Currier Museum of Art, Manchester, New Hampshire. Museum Purchase. Photo: Gary Mamay.
Installation view of (L-R) 237 Lafayette Street, 1978, Enamel over silkscreen grid on baked enamel steel plates, 20 x 150 overall, Virgina Museum of Fine Arts, Richmond. Gift of Sydney and Frances Lewis; Eleven P.M., 1991-92, Oil on canvas, 84 x 84, Currier Museum of Art, Manchester, New Hampshire. Museum Purchase. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation View (L-R) Wind, 1983, Oil on five canvases, 84 x 300 overall. Collection of Daniel W. Dietrich II, Chester Springs, Pennsylvania; No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.
Installation View (L-R) Wind, 1983, Oil on five canvases, 84 x 300 overall. Collection of Daniel W. Dietrich II, Chester Springs, Pennsylvania; No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Jennifer Bartlett, Wind, 1983, Oil on five canvases, 84 x 300 overall. Collection of Daniel W. Dietrich II, Chester Springs, Pennsylvania. Photo: Gary Mamay.
Jennifer Bartlett, Wind, 1983, Oil on five canvases, 84 x 300 overall. Collection of Daniel W. Dietrich II, Chester Springs, Pennsylvania. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation view (L-R) No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia, Something Is Wrong, 2005 – 06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.
Installation view (L-R) No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia, Something Is Wrong, 2005 – 06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation view (L-R) No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia, Something Is Wrong, 2005 – 06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia; Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist. Photo: Gary Mamay.
Installation view (L-R) No One Is Home, 2005–06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia, Something Is Wrong, 2005 – 06, Oil on canvas, 60 x 60, Private collection, courtesy Locks Gallery, Philadelphia; Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Installation view (L-R) Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist; Two Feet of Snow Diptych, 2009¬–10, Oil on two canvases, 72 x 144 overall, Collection of the artist. Photo: Gary Mamay.
Installation view (L-R) Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist; Two Feet of Snow Diptych, 2009¬–10, Oil on two canvases, 72 x 144 overall, Collection of the artist. Photo: Gary Mamay.


 in Pictures for Jennifer Bartlett at Parrish Art Museum. Image for Jennifer Bartlett, Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist. Gary Mamay.
Jennifer Bartlett, Rose, 2010–11, Oil on two canvases, 72 x 144 overall. Collection of the artist. Gary Mamay.