Jack Hanley Gallery | 327 Broome Street
Olsson’s drawings in graphite and charcoal seduce the viewer into the remote wilderness. Figures are rendered with delicate graphite lines and powdery white highlights, going about mundane tasks bathed in an ethereal glow.
The highly-detailed and lightly rendered foreground opens into a dark background bringing together an endless sea of mountains and cloudy skies, suggesting nothing but forest for the imaginable distance. Olsson’s technique employs a subtle shift from figurative drawing to the expressionistic curvature of a Benton landscape, offering the viewer a dynamic range of whites, greys and blacks. Compositions are focused around a single figure or group of people. A clearing in the forest stages the scene. The sepia undertones of the paper suggest a bygone era, while the characters’ dress - and at times, technology - suggest a contemporary society made up of people who have turned their backs on mainstream experiences and vanished into the wild.
Somewhere between folk-tale and fantasy, the figures congregate around an inexplicable or vague and potentially cult-like event. After careful inspection, something disconcerting typically presents itself; whether it be the contrast of discordant visual cues or the ghostly rendering of figures, the scenes blend real and surreal events as though they represent freeze-framed microcosms from a lucid dream.