MoMA | 11 West 53rd Street
One of the pioneering figures of both painterly abstraction and conceptual art in Latin America, and a deeply influential teacher in Rio de Janeiro over the past half-century, Anna Bella Geiger was the principle figure in the development of a school of video art in Rio de Janeiro in the mid-1970s. Geiger radically shifted her teaching methods and artistic practice after 1968, moving her classes outdoors and, from 1973 on, classifying the full range of her work across all mediums as Situações-Limites, or “Limit-Situations.” Made in extremis and in critique of the bombastic, jingoistic television propaganda of the military regime, Geiger and her students’ video works are defined as much by their wry humor as by their depiction of individuals struggling to maintain their personhood against a deadening reality.
1974. Brazil. Directed by Anna Bella Geiger. 10 min.
Elementary Maps no. 3
1976. Brazil. Directed by Anna Bella Geiger. 10 min.
1983. Brazil. Directed by Anna Bella Geiger. 2 min.
1974. Brazil. Directed by Ivens Machado. 5 min.
1974. Brazil. Directed by Ivens Machado. 8 min.
1975. Brazil. Directed by Leticia Parente. 3 min.
1975. Brazil. Directed by Leticia Parente. 1 min.
Trademark (Marca Registrada)
1975. Brazil. Directed by Leticia Parente. 10 min.
Sem Título (Untitled)
1975. Brazil. Directed by Sonia Andrade. 10 min.
In conjunction with the exhibition Lygia Clark: The Abandonment of Art, 1948–1988
In the Film exhibition On the Edge: Brazilian Film Experiments of the 1960s and Early 1970s
Sat Jun 07, 2014 1:30 PM
Sun Jun 08, 2014 4:00 PM