Screening

The Fall of Rock and Roll

The Fall of Rock and Roll  | Events Calendar


Williamsburg

Spectacle | 124 South 3rd Street

THE FALL OF ROCK AND ROLL
aka KAKO JE PROPAO ROKENROL
Dir. Goran Gajic, 1989.
Bosnia, 106 min.
In Serbo-Croatian with English subtitles.

Goran Gajic’s surreal counter-culture comedy THE FALL OF ROCK AND ROLL was made in 1989 right before the start of the Bosnian war and at the beginning of the end of the golden age of Yugoslavian subculture and the heyday of Balkan punk. Gajic’s film was a virtual who’s who of Yugoslavian punk rockers and counter-cultural icons from this period, like Anica Dobra, Sonja Savic, Srdjan Todorovic and the lead singer of ex-yu punk band Disciplina Kicme in a cameo as slacker-superhero and mascot the Green Tooth, among others. All of these young Balkan men and women were part of the same cohort among the bright stars that made up the collaborative Belgrade art and rock scene which had also produced other films like CRNI MARIJA/BLACK MARIAH and DAVITELJ PROTIV DAVITELJ/ STRANGLER VS. STRANGLER.

THE FALL OF ROCK AND ROLL is a composed as a picaresque comedy in three parts, all written by different screenwriters and directors and with musicians from three Yugoslavian rock powerhouses, Elektricni Orgazm, Idoli and Disciplina Kicme. The three scenarios begin this ramble through the streets and back-alleys of Belgrade with a wager between Koma, a failed punk rocker (Srdjan Todorovic) and his producer father, a folk-singer staging a contest to see who can perform a more popular song leading Koma to become a masked folk singer calling himself Ninja. The film quickly careens into the second scenario, chronicling a romantic episode between a young punk (Anica Dobra) who is wooed by Darko, a man claiming to be Dracula. In the third Eve and Djuro, a troubled pair of frustrated bohemians, an aspiring rock musician and a struggling designer, who are on the verge of conceiving a child but are driven astray by a mysterious love letter.

THE FALL OF ROCK AND ROLL in spite of its absurdist elements is also a reflection collaborative project of Belgrade’s urban rock subculture preserved in amber. Its lighthearted approach and devil-may-care attitude are still valued highly by the now grown youth of Yugoslavia who remember this moment as a time of joy and experimentation before the austere war years soon to follow.



Additional Screenings:

Thu Jun 18, 2015 10:00 PM

Sun Jun 21, 2015 7:30 PM

Mon Jun 29, 2015 7:30 PM